A powerful debut from an Australian novelist that features one of the most likeable but contrary figures you are likely to meet in contemporary fiction. Lou Connor, a gifted, unhappy sixteen-year-old, is desperate to escape her life of poverty in Sydney. When she is offered an exchange student placement at a school in America it seems as if her dreams will be fulfilled. Her host family has a beautiful house in Illinois and couldn't be more welcoming . . . until she starts to be distubed by the suffocating and repressed atmosphere of their suburban mansion and things begin to go terribly wrong. How the Light Gets In is an acutely observed story of adolescence, reminiscent of American Beauty in its dissection of engrained prejudices and middle-class hypocrisy. In Lou Connor, Hyland has created a larger-than-life protagonist who mesmerises the reader with her vivacity and vulnerability, from hopeful beginning to unexpected, haunting end.
The best book I read this year - brilliantly written. -- Mark Cousins * Scotland on Sunday * Heartbreaking and compelling. * Observer * [Hyland] brings the long-forgotten teenage sensation of drowning in life's uncomprehended complexities horribly alive. * The Times * Hyland's biting debut novel tells of teen anguish in a world that treats such anguish as a crime. Unlike Mean Girls, Hyland's novel doesn't borrow from romantic comedy to dab out the ugliness of adolescence ... Her dry and fantastically sarcastic voice serves a judicious helping of cheek to peddlers of the American Dream. * Time Out New York *
Description:
A powerful debut from an Australian novelist that features one of the most likeable but contrary figures you are likely to meet in contemporary fiction. Lou Connor, a gifted, unhappy sixteen-year-old, is desperate to escape her life of poverty in Sydney. When she is offered an exchange student placement at a school in America it seems as if her dreams will be fulfilled. Her host family has a beautiful house in Illinois and couldn't be more welcoming . . . until she starts to be distubed by the suffocating and repressed atmosphere of their suburban mansion and things begin to go terribly wrong. How the Light Gets In is an acutely observed story of adolescence, reminiscent of American Beauty in its dissection of engrained prejudices and middle-class hypocrisy. In Lou Connor, Hyland has created a larger-than-life protagonist who mesmerises the reader with her vivacity and vulnerability, from hopeful beginning to unexpected, haunting end.
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### From Booklist
Sixteen-year-old Australian exchange student Louise (Lou) is ecstatic that she has left behind her rough family, who mock her for using big words, and their tiny flat choked with cigarette smoke. Placed in a wealthy Chicago suburb, in a pristine McMansion with the Harding family, Lou is stunned by the glossy perfection: "There are so many healthy, good-looking teenagers that a few crooked teeth, or short, fat fingers, suddenly take on the proportions of deformities." The Hardings are earnest and warm, but Lou's high-strung insecurity and wary independence begin to widen the cracks in her host family's strained domesticity, particularly when Lou turns increasingly to booze and drugs. Hyland's debut loses momentum as it drifts to its open ending. But Lou's furious, first-person voice is filled with piercing observations that beautifully balance Lou's teenage detachment and aching, intelligence and self-absorption, yearning and recklessness. And like Holden Caulfield, with whom she invites inevitable comparison, Lou is unmerciful toward those satisfied with easy answers: "What kind of a moron thinks there's a rational explanation for human behavior?" *Gillian Engberg*
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### Review
The best book I read this year - brilliantly written. -- Mark Cousins * Scotland on Sunday * Heartbreaking and compelling. * Observer * [Hyland] brings the long-forgotten teenage sensation of drowning in life's uncomprehended complexities horribly alive. * The Times * Hyland's biting debut novel tells of teen anguish in a world that treats such anguish as a crime. Unlike Mean Girls, Hyland's novel doesn't borrow from romantic comedy to dab out the ugliness of adolescence ... Her dry and fantastically sarcastic voice serves a judicious helping of cheek to peddlers of the American Dream. * Time Out New York *