In twelve beautifully imagined stories linked by character and setting, Mark Slouka chronicles three generations of men and women under the spell of a landscape with a powerful history.
Set in a tiny Czech community on the shore’s of upstate New York’s Lost Lake, these elegiac stories explore both the quiet, complicated glory of the natural world and the mysterious motions of the human spirit. In “Genesis,” an inspired young war veteran envisions his legacy in a modest pasture. In “The Shape of Water,” a boy’s recollection of a momentous catch occasions a later reflection on the power of invented truths. In “The Exile,” a young woman struggles unsuccessfully against an adulterous passion. Through them all, Lost Lake emerges as a place of both epic significance and enduring simplicity, prompting memories both challenging and bittersweet.
**
### Amazon.com Review
"Some say the soul tempered by fire--tortured true--is the better for the trial. Perhaps it is so. But I was born between the wars," writes the narrator of this collection's opening story, "The Shape of Water." "My adventures were of the survivable kind, my tragedies ambiguous and undramatic, observed as much as felt. What formed me were anecdotes--often inconclusive, generally unheroic--connected to a particular forty acres of water. An unexceptional place. I did not choose it. And yet, if I could ever open myself, I suspect I'd find its coves there, its sleeping silt, its placental water smooth with algae ... and the faces of those I'd known revealed as clearly as if mine had been that lake of legend said to reflect the human heart."
It's an extraordinary image, and one that aptly sums up the project of this dazzling debut collection. Throughout *Lost Lake*, Slouka invests everyday events with an almost numinous glow. Catching fish; cleaning them; practicing knots; telling stories: these actions are windows opening onto unimaginable darkness--soldiers hanged along an avenue of cherry trees, decapitated snapping turtles crawling past their own heads, a dead baby wrapped in "the warm cave" of a coat. Ostensibly, these stories take place among a small Czech community settled on the shores of New York's Lost Lake, but they ripple outward to encompass the world. No exalted feat of nature, Lost Lake is a landscape both humble and utterly human, as we discover in "Creation," in which a dreamy farmer looks out over a cow pasture and pictures the fishing hole he will make. Nonetheless, it's still privy to the most elemental of dramas, from death ("Equinox") to adulterous love ("The Exile"). The short story is a miniaturist's art, and its success depends on a writer's ability to compress everything most essential about life--memory, guilt, sorrow, love, fishing--to fit within its brief pages. Slouka is a master. Reading *Lost Lake* elicits the same wonder as holding water up to a microscope for the first time: there it is, life, teeming, abundant, and true. *--Mary Park*
### From Publishers Weekly
"A particular forty acres of water," a peaceful, manmade lake not far outside New York City, connects these 12 poignant short stories and the vital, multigenerational cast of characters inhabiting them. A narrator named Mostovsky (we never learn his given name), the son of Czech immigrants now grown into a husband and father himself, pensively plumbs his boyhood memories?real and apocryphal. The often lyrical pieces not only portray his experiences fishing and exploring but also recall tales he heard or imagined about the lake's creation near the start of the century, about war, intrigue and bloodshed back in his family's homeland. Others deal with the subtle dynamics among his neighbors and with private thoughts he could not have understood as they were happening. Slouka's prose is elegant and rich in unexpected metaphor as he explores the varying forms and faces of expatriation. He finds patterns and forces of nature as evident in the lives and history of the people around him as in the wind, trees, fish, animals and insects of the lake. One of these stories, "The Woodcarver's Tale," won a 1997 Harper's National Magazine Award in Fiction. It is the harbinger of what should be an impressive career.
Copyright 1998 Reed Business Information, Inc.
Description:
In twelve beautifully imagined stories linked by character and setting, Mark Slouka chronicles three generations of men and women under the spell of a landscape with a powerful history. Set in a tiny Czech community on the shore’s of upstate New York’s Lost Lake, these elegiac stories explore both the quiet, complicated glory of the natural world and the mysterious motions of the human spirit. In “Genesis,” an inspired young war veteran envisions his legacy in a modest pasture. In “The Shape of Water,” a boy’s recollection of a momentous catch occasions a later reflection on the power of invented truths. In “The Exile,” a young woman struggles unsuccessfully against an adulterous passion. Through them all, Lost Lake emerges as a place of both epic significance and enduring simplicity, prompting memories both challenging and bittersweet. ** ### Amazon.com Review "Some say the soul tempered by fire--tortured true--is the better for the trial. Perhaps it is so. But I was born between the wars," writes the narrator of this collection's opening story, "The Shape of Water." "My adventures were of the survivable kind, my tragedies ambiguous and undramatic, observed as much as felt. What formed me were anecdotes--often inconclusive, generally unheroic--connected to a particular forty acres of water. An unexceptional place. I did not choose it. And yet, if I could ever open myself, I suspect I'd find its coves there, its sleeping silt, its placental water smooth with algae ... and the faces of those I'd known revealed as clearly as if mine had been that lake of legend said to reflect the human heart." It's an extraordinary image, and one that aptly sums up the project of this dazzling debut collection. Throughout *Lost Lake*, Slouka invests everyday events with an almost numinous glow. Catching fish; cleaning them; practicing knots; telling stories: these actions are windows opening onto unimaginable darkness--soldiers hanged along an avenue of cherry trees, decapitated snapping turtles crawling past their own heads, a dead baby wrapped in "the warm cave" of a coat. Ostensibly, these stories take place among a small Czech community settled on the shores of New York's Lost Lake, but they ripple outward to encompass the world. No exalted feat of nature, Lost Lake is a landscape both humble and utterly human, as we discover in "Creation," in which a dreamy farmer looks out over a cow pasture and pictures the fishing hole he will make. Nonetheless, it's still privy to the most elemental of dramas, from death ("Equinox") to adulterous love ("The Exile"). The short story is a miniaturist's art, and its success depends on a writer's ability to compress everything most essential about life--memory, guilt, sorrow, love, fishing--to fit within its brief pages. Slouka is a master. Reading *Lost Lake* elicits the same wonder as holding water up to a microscope for the first time: there it is, life, teeming, abundant, and true. *--Mary Park* ### From Publishers Weekly "A particular forty acres of water," a peaceful, manmade lake not far outside New York City, connects these 12 poignant short stories and the vital, multigenerational cast of characters inhabiting them. A narrator named Mostovsky (we never learn his given name), the son of Czech immigrants now grown into a husband and father himself, pensively plumbs his boyhood memories?real and apocryphal. The often lyrical pieces not only portray his experiences fishing and exploring but also recall tales he heard or imagined about the lake's creation near the start of the century, about war, intrigue and bloodshed back in his family's homeland. Others deal with the subtle dynamics among his neighbors and with private thoughts he could not have understood as they were happening. Slouka's prose is elegant and rich in unexpected metaphor as he explores the varying forms and faces of expatriation. He finds patterns and forces of nature as evident in the lives and history of the people around him as in the wind, trees, fish, animals and insects of the lake. One of these stories, "The Woodcarver's Tale," won a 1997 Harper's National Magazine Award in Fiction. It is the harbinger of what should be an impressive career. Copyright 1998 Reed Business Information, Inc.