In 1899, in the south Indian village of Chevathar, Solomon Dorai is contemplating the imminent destruction of his world and everything he holds dear. As the *thalaivar,* or headman, of Chevathar, he seeks to preserve the village from both catastrophe and change, and the decisions he makes will mark his family for generations to come.
A gripping family chronicle, *The House of Blue Mangoes* spans nearly half a century and three generations of the Dorai family as they search for their place in a rapidly changing society. The novel brings vividly to life a small corner of India, while offering a stark indictment of colonialism and reflecting with great poignancy on the inexorable social transformations of the subcontinent.
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### Amazon.com Review
A memorable experience is in store for the reader of David Davidar's *The House of Blue Mangoes*. In a similar fashion to Vikram Seth's *A Suitable Boy*, Davidar's ambitious novel set in India relates many stories in one, each ineluctably merging into the other. We are shown three generations of an old family in the oceanside village of Chevathar. The patriarch Solomon strives to maintain equilibrium as caste struggles begin to create harsh conflict in the village, while his sons endure triumph and disaster as India inaugurates its battle for independence and his grandson, who may be the last of the line, undertakes his own bid for independence. All of these characters are drawn with a mercurial vividness, and Davidar has a Tolstoyan sense of the larger canvas--his epic covers the spectrum of heroes and rogues, clans and dynasties, the ugly and the beautiful.
The narrative, alternately measured and hectic, richly weaves together assassinations and passionate affairs, exorcisms and beggars' banquets. Davidar's models are often stories from India's great epics, but the fascination of the everyday is never overlooked, from making a perfect cup of tea to whipping up a flavorsome biryani. Along with the tribulations of the protagonists, we are shown the various strategies Mahatma Gandhi and Winston Churchill used in their battles, and we see how the English memsahibs played their part in the downfall of the Raj. The mangoes of India, a key image in the novel, suggest the heady, ripe taste of this engrossing and thoroughly individual novel. *--Barry Forshaw, Amazon.co.uk*
### From Publishers Weekly
Thoroughly engrossing in its take on the recent history of the Indian subcontinent, Davidar's rich debut follows three generations of a wealthy, non-Brahmin Christian family as they struggle to preserve tradition and rise to the challenge of change. The Dorai family's livelihood comes from their groves of mango trees bearing a rare variety of the succulent fruit. In 1899, patriarch Solomon Dorai, thalaivar (headman) of the village of Chevathar, in Kerala, faces a threat to his leadership when caste and tribal acrimony explode into violence. Later, one of Solomon's sons becomes involved in the Gandhi-led struggle to gain independence from Britain. The other son grows rich on a patent medicine to lighten dark skin, and eventually revitalizes his family's presence in Chevathar by building a mansion he calls the house of blue mangoes. Solomon's grandchildren go through WWII and the twilight of the Raj. This could be the stuff of potboilers, but Davidar writes with an ironic, sympathetic appreciation of the religious and historical forces binding the Indian people. His understanding of the psychological limitations and moral complexities of his characters in a country ruled by occupying powers distinguishes his narrative. The characters' lives change as the social injustice of the caste system slowly wanes, while the class distinctions between "pure" Indian and mixed-blood Anglo-Indians grow more tenacious. Although Davidar's prose often achieves lyrical beauty, his attempt to engage the reader in such cultural embroidery as how to brew a perfect cup of tea sometimes results in slow passages and didactic asides. Yet while it lacks the visceral bite of Mistry's A Fine Balance or Sharma's An Obedient Father, the novel offers a sweeping and generous view of India's fractured history. Agent, Nicole Aragi. 15-city NPR campaign; 5-city author tour. (Mar. 10) work by Vikram Seth, Arundhati Roy and Rohinton Mistry. He wrote this book to "capture... memories that I have always cherished."
Copyright 2001 Cahners Business Information, Inc.
Description:
In 1899, in the south Indian village of Chevathar, Solomon Dorai is contemplating the imminent destruction of his world and everything he holds dear. As the *thalaivar,* or headman, of Chevathar, he seeks to preserve the village from both catastrophe and change, and the decisions he makes will mark his family for generations to come. A gripping family chronicle, *The House of Blue Mangoes* spans nearly half a century and three generations of the Dorai family as they search for their place in a rapidly changing society. The novel brings vividly to life a small corner of India, while offering a stark indictment of colonialism and reflecting with great poignancy on the inexorable social transformations of the subcontinent. ** ### Amazon.com Review A memorable experience is in store for the reader of David Davidar's *The House of Blue Mangoes*. In a similar fashion to Vikram Seth's *A Suitable Boy*, Davidar's ambitious novel set in India relates many stories in one, each ineluctably merging into the other. We are shown three generations of an old family in the oceanside village of Chevathar. The patriarch Solomon strives to maintain equilibrium as caste struggles begin to create harsh conflict in the village, while his sons endure triumph and disaster as India inaugurates its battle for independence and his grandson, who may be the last of the line, undertakes his own bid for independence. All of these characters are drawn with a mercurial vividness, and Davidar has a Tolstoyan sense of the larger canvas--his epic covers the spectrum of heroes and rogues, clans and dynasties, the ugly and the beautiful. The narrative, alternately measured and hectic, richly weaves together assassinations and passionate affairs, exorcisms and beggars' banquets. Davidar's models are often stories from India's great epics, but the fascination of the everyday is never overlooked, from making a perfect cup of tea to whipping up a flavorsome biryani. Along with the tribulations of the protagonists, we are shown the various strategies Mahatma Gandhi and Winston Churchill used in their battles, and we see how the English memsahibs played their part in the downfall of the Raj. The mangoes of India, a key image in the novel, suggest the heady, ripe taste of this engrossing and thoroughly individual novel. *--Barry Forshaw, Amazon.co.uk* ### From Publishers Weekly Thoroughly engrossing in its take on the recent history of the Indian subcontinent, Davidar's rich debut follows three generations of a wealthy, non-Brahmin Christian family as they struggle to preserve tradition and rise to the challenge of change. The Dorai family's livelihood comes from their groves of mango trees bearing a rare variety of the succulent fruit. In 1899, patriarch Solomon Dorai, thalaivar (headman) of the village of Chevathar, in Kerala, faces a threat to his leadership when caste and tribal acrimony explode into violence. Later, one of Solomon's sons becomes involved in the Gandhi-led struggle to gain independence from Britain. The other son grows rich on a patent medicine to lighten dark skin, and eventually revitalizes his family's presence in Chevathar by building a mansion he calls the house of blue mangoes. Solomon's grandchildren go through WWII and the twilight of the Raj. This could be the stuff of potboilers, but Davidar writes with an ironic, sympathetic appreciation of the religious and historical forces binding the Indian people. His understanding of the psychological limitations and moral complexities of his characters in a country ruled by occupying powers distinguishes his narrative. The characters' lives change as the social injustice of the caste system slowly wanes, while the class distinctions between "pure" Indian and mixed-blood Anglo-Indians grow more tenacious. Although Davidar's prose often achieves lyrical beauty, his attempt to engage the reader in such cultural embroidery as how to brew a perfect cup of tea sometimes results in slow passages and didactic asides. Yet while it lacks the visceral bite of Mistry's A Fine Balance or Sharma's An Obedient Father, the novel offers a sweeping and generous view of India's fractured history. Agent, Nicole Aragi. 15-city NPR campaign; 5-city author tour. (Mar. 10) work by Vikram Seth, Arundhati Roy and Rohinton Mistry. He wrote this book to "capture... memories that I have always cherished." Copyright 2001 Cahners Business Information, Inc.