Oracle Night

Paul Auster

Language: English

Publisher: Picador

Published: Jan 1, 2003

Pages: 219
ABC: 2

Description:

The discovery of a mysterious notebook turns a man's life upside-down in this compulsively readable novel by 'one of the great writers of our time' (San Francisco Chronicle). Several months into his recovery from a near-fatal illness, novelist Sidney Orr enters a stationery shop in Brooklyn and buys a blue notebook. It is September 18, 1982, and for the next nine days Orr will live under the spell of this blank book, trapped inside a world of eerie premonitions and bewildering events that threaten to destroy his marriage and undermine his faith in reality. Paul Auster's mesmerizing eleventh novel reads like an old-fashioned ghost story. But there are no ghosts in this book - only flesh-and-blood human beings, wandering through the haunted realms of everyday life. Oracle Night is a narrative tour de force that confirms Auster's reputation as one of the boldest, most original writers at work in America today. ### Amazon.com Review In *Oracle Night*, Paul Auster returns to one of his favorite themes: writing about writers and the act of writing. Recovering from a severe illness that has left him weak and prone to nosebleeds, struggling novelist Sidney Orr takes the suggestion of his mentor, the acclaimed novelist John Trause, and begins a story about a man who, upon considering a near-death experience as an omen (or excuse), walks out on his wife and begins a new life. Nick Bowen, Orr's protagonist, moves to Kansas City and finds work with a man engaged in creating a sort of catalogue of all known persons from a warehouse filled with phonebooks. Dressed in Goodwill clothing, Nick finds it "fitting to don the wardrobe of a man who has likewise ceased to exist--as if that double negation made the erasure of his past more thorough, more permanent." Grace, however, acts strangely soon after Sidney begins the "novel-within-a-novel" in a mysterious blue notebook. Auster uses footnotes to provide interesting backstory and develops Sidney's insecurities regarding love and fidelity, but when Sidney hits a patchy spot and writes Bowen into a corner, he (and Auster) shrugs and drops the story. The mystery that seemingly unrelated coincidences may have a causal connection is left unresolved, and Trause's delinquent son shows up to facilitate a hollow, climactic ending. Auster is a gifted writer, to be sure, but once trapped by the inner story, *Oracle Night* loses steam. *--Michael Ferch* ### From Publishers Weekly One morning in September 1982, a struggling novelist recovering from a near-fatal illness purchases, on impulse, a blue notebook from a new store in his Brooklyn neighborhood. So begins Auster's artful, ingenious 12th novel, which is both a darkly suspenseful domestic drama and a moving meditation on chance and loss. Reflecting on a past conversation and armed with his new notebook, Sidney Orr is compelled to write about a man who walks away from his comfortable, staid life after a brush with death a contemporary retelling of the Flitcraft episode in Dashiell Hammett's The Maltese Falcon. Orr's description of his fictional project takes over for a while, but through a framing narrative and a series of long, occasionally digressive footnotes, he teasingly reveals himself, his lovely wife, Grace, and their mutual friend, the famous novelist John Trause. While Orr's hero finds himself locked in a bomb shelter, Grace begins behaving strangely, the stationery shop is shuttered, John's drug-addicted son looms menacingly in the background and the blue notebook exerts a troubling power. The plot of this bizarrely fascinating novel strains credibility, but Auster's unique genius is to make the absurd coherent; his stories have a dreamlike, hallucinatory logic. The title comes from the name of the novel that appears within the story Orr is writing, and hints at the book's theme: that fiction might be at some level prophetic, not merely reflecting reality but shaping it. There is tension, however, between power and impotence: as Orr puts it, "Randomness stalks us every day of our lives, and those lives can be taken from us at any moment for no reason at all." Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.