In the spirit of Flashman and in the inimitable George MacDonald Fraser style comes a rousing story of prize fighting in the 19th century.
When Captain Buck Flashman sees the black boxer catch a fly in mid-flight he realizes that he is in the presence of speed such as the prize ring has never seen. Tom Molineaux may be crude and untutored, but if ‘Mad Buck’ knows anything, this ex-slave is a Champion in the making. Under his ambitious patronage, the ‘Black Ajax’ is carried on a popular tide of sporting fever to his great dream: to fight the invincible, undefeated Champion of England, the great Tom Cribb.
Told through funny, colourful voices, this novel paints a portrait of a flawed hero who surmounted the barriers of ignorance, poverty and racial hatred to bring the prize ring a lustre it had never known before, and may never again.
### Amazon.com Review
In *Black Ajax*, George MacDonald Fraser tells the story of a black man from the United States who nearly became England's champion boxer during the early 19th century. This historical novel is based on the true story of Tom Molineaux, a former slave who won his freedom in a boxing match, then traveled to England, refined his skills, and almost became the first black champ. The story is told by over a dozen witnesses to Molineaux's bouts with the reigning champion, Tom Cribb. Molineaux's trainer recalls the fighter's awe-inspiring strength and speed. A butler who asks to remain anonymous divulges information about the fighter's love affair with an English noblewoman. Molineaux's manager, a former slave and retired boxer, speaks bitterly of his disappointment in the youth for failing to prove to the English that a black man could be as capable a fighter as any white man. Nearly all the witnesses to the first match between the two fighters thought Molineaux lost mainly because the judges gave the white opponent an unfair advantage.
All the characters in this novel speak in 19th-century dialect, and it's diverting to try to decipher their many odd turns of phrase. For those who cannot determine the meanings of words such as "Spike Hotel," "toco," "winker," and "wistycastor" from context, the author provides a glossary at the end of the book. Unfortunately, almost all of the characters seem overly fond of using racial epithets, which draws attention to the shortcomings of this book. The main one is that Tom Molineaux, who undoubtedly was a complex, fascinating character, comes across as a stereotype here: a hulk with not many brains but a lot of sex drive. Although Fraser fails in that respect, this novel does vividly chronicle an intriguing episode in the history of sport and race relations. *--Jill Marquis*
### From Publishers Weekly
Taking a break from his delightful series about the Victorian scoundrel Harry Flashman, Fraser gives us a superb novel about Tom Molineaux, a freed slave from Virginia who was a boxing sensation in the early days of the sport in Regency England. Fraser's encyclopedic knowledge of 19th-century British mores and slang and his splendid eye for period color have never been put to better use. He tells the story of Molineaux through a series of narrators: Molineaux's trainer and second; contemporary boxing journalists; Flashman's rakish father, who takes up Tom's cause for a time; his childhood sweetheart; a lascivious footman; and others. All of them are characterized with a perfect ear for their particular diction?and, for those taken aback by the authentic vernacular, there is a useful glossary. The portrait of Molineaux?vain, strutting, childlike, at once hugely courageous and profoundly vulnerable?is memorable. Has there ever been a more vivid picture of the thrills and horrors of the early bare-knuckle boxing days, when the sport was at once illegal and a national obsession? For anyone interested in the period, in the place of a black man in a highly stratified society and in a compelling story of courage and ultimate sorrow, this is the book.
Copyright 1998 Reed Business Information, Inc.
Description:
In the spirit of Flashman and in the inimitable George MacDonald Fraser style comes a rousing story of prize fighting in the 19th century. When Captain Buck Flashman sees the black boxer catch a fly in mid-flight he realizes that he is in the presence of speed such as the prize ring has never seen. Tom Molineaux may be crude and untutored, but if ‘Mad Buck’ knows anything, this ex-slave is a Champion in the making. Under his ambitious patronage, the ‘Black Ajax’ is carried on a popular tide of sporting fever to his great dream: to fight the invincible, undefeated Champion of England, the great Tom Cribb. Told through funny, colourful voices, this novel paints a portrait of a flawed hero who surmounted the barriers of ignorance, poverty and racial hatred to bring the prize ring a lustre it had never known before, and may never again. ### Amazon.com Review In *Black Ajax*, George MacDonald Fraser tells the story of a black man from the United States who nearly became England's champion boxer during the early 19th century. This historical novel is based on the true story of Tom Molineaux, a former slave who won his freedom in a boxing match, then traveled to England, refined his skills, and almost became the first black champ. The story is told by over a dozen witnesses to Molineaux's bouts with the reigning champion, Tom Cribb. Molineaux's trainer recalls the fighter's awe-inspiring strength and speed. A butler who asks to remain anonymous divulges information about the fighter's love affair with an English noblewoman. Molineaux's manager, a former slave and retired boxer, speaks bitterly of his disappointment in the youth for failing to prove to the English that a black man could be as capable a fighter as any white man. Nearly all the witnesses to the first match between the two fighters thought Molineaux lost mainly because the judges gave the white opponent an unfair advantage. All the characters in this novel speak in 19th-century dialect, and it's diverting to try to decipher their many odd turns of phrase. For those who cannot determine the meanings of words such as "Spike Hotel," "toco," "winker," and "wistycastor" from context, the author provides a glossary at the end of the book. Unfortunately, almost all of the characters seem overly fond of using racial epithets, which draws attention to the shortcomings of this book. The main one is that Tom Molineaux, who undoubtedly was a complex, fascinating character, comes across as a stereotype here: a hulk with not many brains but a lot of sex drive. Although Fraser fails in that respect, this novel does vividly chronicle an intriguing episode in the history of sport and race relations. *--Jill Marquis* ### From Publishers Weekly Taking a break from his delightful series about the Victorian scoundrel Harry Flashman, Fraser gives us a superb novel about Tom Molineaux, a freed slave from Virginia who was a boxing sensation in the early days of the sport in Regency England. Fraser's encyclopedic knowledge of 19th-century British mores and slang and his splendid eye for period color have never been put to better use. He tells the story of Molineaux through a series of narrators: Molineaux's trainer and second; contemporary boxing journalists; Flashman's rakish father, who takes up Tom's cause for a time; his childhood sweetheart; a lascivious footman; and others. All of them are characterized with a perfect ear for their particular diction?and, for those taken aback by the authentic vernacular, there is a useful glossary. The portrait of Molineaux?vain, strutting, childlike, at once hugely courageous and profoundly vulnerable?is memorable. Has there ever been a more vivid picture of the thrills and horrors of the early bare-knuckle boxing days, when the sport was at once illegal and a national obsession? For anyone interested in the period, in the place of a black man in a highly stratified society and in a compelling story of courage and ultimate sorrow, this is the book. Copyright 1998 Reed Business Information, Inc.