**Now a major motion picture starring Nicole Kidman, Jason Bateman and Christopher Walken.**
“*The Family Fang* is a comedy, a tragedy, and a tour-de-force examination of what it means to make art and survive your family….The best single word description would be brilliant.”
—Ann Patchett, author of *Bel Canto*
“It’s *The Royal Tenenbaums* meets *Who’s Afraid of Virginia Woolf?* I’d call *The Family Fang* a guilty pleasure, but it’s too damn smart….A total blast.”
—Hannah Pittard, author of *The Fates Will Find Their Way*
Owen King (*We’re All in This Together*) calls author Kevin Wilson, “the unholy child of George Saunders and Carson McCullers.” With his novel, *The Family Fang*, the Shirley Jackson Award-winning author of *Tunneling to the Center of the Earth* comes through in a BIG way, with a funny, poignant, laugh-and-cry-out-loud (sometimes at the same time) novel about the art of surviving a masterpiece of dysfunction. Meet *The Family Fang*, an unforgettable collection of demanding, brilliant, and absolutely endearing oddballs whose lives are risky and mischievous performance art. If the writing of Gary Shteyngart, Miranda July, Scarlett Thomas, and Charles Yu excites you, you’ll certainly want to invite this *Family* into your home.
**
### Amazon.com Review
**Amazon Best Books of the Month, August 2011**: For outré performance artists, Caleb and Camille Fang, everything in life is secondary to art, including their children. Annie and Buster (popularly known as Child A. and Child B.) are the unwilling stars of their parents’ chaotically subversive work. Art is truly a family affair for the Fangs. Years later, their lives in disarray, Annie and Buster reluctantly return home in search of sanctuary—only to be caught up in one last performance. *The Family Fang* sparkles with Kevin Wilson’s inventive dialogue and wonderfully rendered set-pieces that capture the surreal charm of the Fang’s most notable work. With this brilliant novel, the family Fang is destined to join the families Tenenbaum and Bluth as paragons of high dysfunction.--Shane Hansanuwat
### From Publishers Weekly
Starred Review. Wilson's bizarre, mirthful debut novel (after his collection, Tunneling to the Center of the Earth) traces the genesis of the Fang family, art world darlings who make "strange and memorable things." That is, they instigate and record public chaos. In one piece, "The Portrait of a Lady, 1988," fragile nine-year-old Buster Fang dons a wig and sequined gown to undermine the Little Miss Crimson Clover beauty pageant, though he secretly desires the crown himself. In "A Modest Proposal, July 1988," Buster and his older sister, Annie, watch their father, Caleb, propose to mother, Camille, over an airliner's intercom and get turned down (" plane crash would have been welcomed to avoid the embarrassment of what had happened"). Over the years, more projects consume Child A and Child B—what art lovers (and their parents) call the children—but it is not until the parents disappear from an interstate rest stop that the lines separating art and life dissolve. Though leavened with humor, the closing chapters still face hard truths about family relationships, which often leave us, like the grown-up Buster and Annie, wondering if we are constructing our own lives, or merely taking part in others'. (Aug.)
Description:
**Now a major motion picture starring Nicole Kidman, Jason Bateman and Christopher Walken.** “*The Family Fang* is a comedy, a tragedy, and a tour-de-force examination of what it means to make art and survive your family….The best single word description would be brilliant.” —Ann Patchett, author of *Bel Canto* “It’s *The Royal Tenenbaums* meets *Who’s Afraid of Virginia Woolf?* I’d call *The Family Fang* a guilty pleasure, but it’s too damn smart….A total blast.” —Hannah Pittard, author of *The Fates Will Find Their Way* Owen King (*We’re All in This Together*) calls author Kevin Wilson, “the unholy child of George Saunders and Carson McCullers.” With his novel, *The Family Fang*, the Shirley Jackson Award-winning author of *Tunneling to the Center of the Earth* comes through in a BIG way, with a funny, poignant, laugh-and-cry-out-loud (sometimes at the same time) novel about the art of surviving a masterpiece of dysfunction. Meet *The Family Fang*, an unforgettable collection of demanding, brilliant, and absolutely endearing oddballs whose lives are risky and mischievous performance art. If the writing of Gary Shteyngart, Miranda July, Scarlett Thomas, and Charles Yu excites you, you’ll certainly want to invite this *Family* into your home. ** ### Amazon.com Review **Amazon Best Books of the Month, August 2011**: For outré performance artists, Caleb and Camille Fang, everything in life is secondary to art, including their children. Annie and Buster (popularly known as Child A. and Child B.) are the unwilling stars of their parents’ chaotically subversive work. Art is truly a family affair for the Fangs. Years later, their lives in disarray, Annie and Buster reluctantly return home in search of sanctuary—only to be caught up in one last performance. *The Family Fang* sparkles with Kevin Wilson’s inventive dialogue and wonderfully rendered set-pieces that capture the surreal charm of the Fang’s most notable work. With this brilliant novel, the family Fang is destined to join the families Tenenbaum and Bluth as paragons of high dysfunction.--Shane Hansanuwat ### From Publishers Weekly Starred Review. Wilson's bizarre, mirthful debut novel (after his collection, Tunneling to the Center of the Earth) traces the genesis of the Fang family, art world darlings who make "strange and memorable things." That is, they instigate and record public chaos. In one piece, "The Portrait of a Lady, 1988," fragile nine-year-old Buster Fang dons a wig and sequined gown to undermine the Little Miss Crimson Clover beauty pageant, though he secretly desires the crown himself. In "A Modest Proposal, July 1988," Buster and his older sister, Annie, watch their father, Caleb, propose to mother, Camille, over an airliner's intercom and get turned down (" plane crash would have been welcomed to avoid the embarrassment of what had happened"). Over the years, more projects consume Child A and Child B—what art lovers (and their parents) call the children—but it is not until the parents disappear from an interstate rest stop that the lines separating art and life dissolve. Though leavened with humor, the closing chapters still face hard truths about family relationships, which often leave us, like the grown-up Buster and Annie, wondering if we are constructing our own lives, or merely taking part in others'. (Aug.)